Into the Woods

This summer Old Chatham, a hamlet in New York’s Columbia County, offered a pre-launch venue to these life-long friends. They ventured, they played, they cooked, they laughed. Just a few days later, they have now begun to find new homes in disparate locations, to begin new studies, to expand their community.

Oh the stories they will tell, the paths they will cut.

It is with tremendous joy that we go along for the ride: to watch them launch, to see them soar, to imagine and await their next adventures.

Pride | 2023

Seems a bit heavier - eyes weighted, jaws tense - this year. Or not :)

#bradlander #jumannewilliams @nycpa

Worlds Collide

To the south, under the F Train, discarded craft.

Just around the corner, a building once engulfed in flames, still reeling, pealing.

To the north, a towering, reflecting, blinding, empty carcass of the now.

pôrtrət of Noni

“How shall Integrity face Oppression? What shall Honesty do in the face of Deception, Decency in the face of Insult, Self-Defense before Blows? How shall Desert and Accomplishment meet Despising, Detraction, and Lies? What shall Virtue do to meet Brute Force? There are so many answers and so contradictory; and such differences for those on the one hand who meet questions similar to this once a year or once a decade, and those who face them hourly and daily.” - W.E.B. Dubois

Cyanotype / A photographic blueprint - Noah Benus (2021)

I think this series is about how Noah engages with the physical and emotional world. I am thinking about how he breaks down walls, tears off leaves, looks through, under, within, and around obstructions, the Noah that emerges, is revealed. Noah has a deep curiosity, an electric connection to material. He is driven to make. He is process: searching, experimenting, getting lost and dirty. Noah welcomes us to bear witness, to share in his exploits, to discover a renewed enthusiasm for our own curiosities. Noah’s core identity is Jewish. This series was made while wandering the woods and gardens of Wave Hill Public Garden and Cultural Center, located in the Riverdale section of The Bronx. Just a walk away from where Noah grew up, it is a space where he has begun to teach, to design interdisciplinary curricula, and to challenge institutional structures and the value systems that inform them.

 

im-pli-keyt

verb (used with object), im·pli·cat·ed, im·pli·cat·ing.

1) to show to be also involved, usually in an incriminating manner: to be implicated in a crime.

2) to imply as a necessary circumstance, or as something to be inferred or understood.

3) to connect or relate to intimately; affect as a consequence: The malfunctioning of one part of the nervous system implicates another part.

4) Archaic. to fold or twist together; intertwine; interlace.

a tree

A Rock, A River, A Tree

Hosts to species long since departed,

Marked the mastodon,

The dinosaur, who left dried tokens

Of their sojourn here

On our planet floor,

Any broad alarm of their hastening doom

Is lost in the gloom of dust and ages.

“On the Pulse of Morning” - Maya Angelou

stand·ard·ized

stand·ard·ized

/ˈstandərˌdīz/

verb, past tense of ‘standardize’

caused (something) to conform to a standard, norm.

(First known use, 1882)

artist statement

Years ago I was working on a project with someone who asked me where I was from. I told him, Louisville, Kentucky, to which he replied, “that makes sense, river folk.” 

In Langston Hughes’ words, “I’ve known rivers, Ancient, dusky rivers.”1 

The Ohio, the Hudson and East rivers, the Seine, the Ganga, the Musi, the Mississippi, the Maipo, the Nantahala. I have chosen (had the privilege) to live on their banks, to feel and witness their flow, to be metaphorically drowned and, sometimes, offered salvation. 

My mom would probably say, “I’ve lived.”

James Aldridge’s Queer River practice helps me orient this series. ‘Art that is grounded in listening and witnessing, that allows us to slow down, open up and accept our place within vast interconnected systems, can change our way of seeing the world…’2

What causes me to conform? What/who do I cause to conform? How should I record what I have heard, what I have witnessed? How can I accept and change my ways of seeing, my ways of being in the world? 

“In us, there is a river of feelings, in which every drop of water is a different feeling, and each feeling relies on all the others for its existence.”3

“Take me to your river, I wanna go.”4

1 Langston Hughes, "The Negro Speaks of Rivers" from The Collected Works of Langston Hughes. Copyright © 2002

2 Queer River. queerriver.com. (n.d.). https://queerriver.com/.  

3 Hanh, T. N. (1991). Peace Is Every Step. Bantam Books. 

4 "River by Leon Bridges on Apple Music". Apple Music.

"Pay attention, be astonished, tell about it." - Mary Oliver

Over the past nine days, inspired by Marit Dewhurst (Director, CCNY Art Education) and the writings/promptings of Keri Smith (“How to be an Explorer of the World”), I collected these images. As Smith prompts, I worked as an “amateur", not attached to the outcome, working solely for the love of doing.

All of these images were photographed during my daily walks, all accessible from my home in Brooklyn, New York. The walks were aimless and untimed, the images (thanks to my camera) organized the moments, beyond the image itself, with metadata. I did not consciously plan the time of day, though I suppose I am habitually drawn to early mornings and late afternoons. I did not set out with a preconceived idea of content, other than that the images might find me. Once I collected the images, I returned to my studio where I selected and crafted each tile, one per day. With each, I noted the place/places, the time/times of day, and selected a primary color from the images. They are a record of my getting lost in the final days of 2020. I post them here and on Instagram to offer a public sharing.

Instructions for living a life:

Pay attention.

Be astonished.

Tell about it.

Two or three times in my life I discovered love.

Each time it seemed to solve everything.

Each time it solved a great many things

but not everything.

Yet left me as grateful as if it had indeed, and

thoroughly, solved everything.

- Mary Oliver, an excerpt from “Sometimes”

We have found our voice!

“…if you’re going to love, why not have the broadest, deepest, self-emptying kind of love that embraces everybody?” - Cornel West

“Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed—
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There's never been equality for me,
Nor freedom in this "homeland of the free.")

Say, who are you that mumbles in the dark?
And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,
I am the Negro bearing slavery's scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek—
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one's own greed!

I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the Negro, servant to you all.
I am the people, humble, hungry, mean—
Hungry yet today despite the dream.
Beaten yet today—O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.

Yet I'm the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That's made America the land it has become.
O, I'm the man who sailed those early seas
In search of what I meant to be my home—
For I'm the one who left dark Ireland's shore,
And Poland's plain, and England's grassy lea,
And torn from Black Africa's strand I came
To build a "homeland of the free."

The free?

Who said the free? Not me?
Surely not me? The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we've dreamed
And all the songs we've sung
And all the hopes we've held
And all the flags we've hung,
The millions who have nothing for our pay—
Except the dream that's almost dead today.

O, let America be America again—
The land that never has been yet—
And yet must be—the land where every man is free.
The land that's mine—the poor man's, Indian's, Negro's, ME—
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.

Sure, call me any ugly name you choose—
The steel of freedom does not stain.
From those who live like leeches on the people's lives,
We must take back our land again,
America!

O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath—
America will be!

Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain—
All, all the stretch of these great green states—
And make America again!”

Let America Be America Again - Langston Hughes

Last night, a few blocks from my front door...

“You may write me down in history
With your bitter, twisted lies,
You may tread me in the very dirt
But still, like dust, I'll rise”. - Maya Angelou

“The grief and horror of recent days, the killings of Ahmaud Arbery, Breonna Taylor, and George Floyd, have been sharp, shocking, and enduring, but not surprising. Centuries of terror, violence, and white supremacy are inextricable parts of our ongoing American story, and have been driven by police targeting and extralegal killings of Black people. We see it in all corners of our country; in Ferguson, in Glynn County, in Louisville, in Minneapolis, in Staten Island. 

“In the wake of these murders, Americans of all backgrounds have joined in mourning and rage. But the experience of Black people, the trauma of both the threat and execution of police violence, is a unique and enduring pain. It is a pain that is being inflicted right now on the streets of Minneapolis, as police meet demands for justice with provocation and violence. It is a pain magnified as the president threatens lethal force against protestors in a thinly-veiled attempt to distract from his handling of the COVID-19 pandemic, which has caused the deaths of tens of thousands of Black people. 

“We acknowledge and validate this pain – whether we experience it ourselves or we find it in our homes, among our work colleagues, or in our communities. As advocates for racial justice and against police abuse, we bear witness, we stand in solidarity, and we join the demand for accountability and reform.

“There are steps New York must take urgently to challenge police violence. 

“To end impunity, the New York state law known as 50-A must be repealed so that police disciplinary records are public. Americans know the Minneapolis officer responsible for George Floyd’s murder has a legacy of abuse only because his record is public. New Yorkers have no way of knowing just how many officers are similarly unfit to serve. New York must also abandon Broken Windows policing. This criminalization of so-called quality of life violations has meant a death sentence to New Yorkers like Eric Garner, and has fueled mass incarceration and racist enforcement that has affected entire communities. 

“Policing also needs a culture shift. Too many communities of color remain targets for suspicion and over-policing, with street stops continuing to seek out disproportionate numbers of Black and brown New Yorkers, perpetuating the racist legacy of stop-and-frisk.

“These reforms are urgent, and lives hang in the balance. The terror must stop.” - NYCLU

IPA Silver | The Lincoln Dress

Thrilled to be honored for work that was a joy to create. Many thanks to playwright and creative director, John McEneny. And of course, sincere appreciation and admiration for Vasile, Aaron , Bettina, and Annie. They are extraordinary, committed, caring actors who make real the stuff of our imaginations.

PX3 2019 | If the dress fits...

“America will never be destroyed from the outside. If we falter and lose our freedoms, it will be because we destroyed ourselves.” 

- Abraham Lincoln 

As I write this, Piper Theatre is presenting the World Premiere of John P. McEneny’s “The Lincoln Dress.” It’s a ghost story inspired by the mysterious disappearance of the cursed dress worn by Clara Harris on the night of Abraham Lincoln’s assassination. Harris was seated next to Lincoln in the Presidential Box at the Ford Theatre. Her dress was stained with his blood. 

We (myself, McEneny, Vasile Flutur, Aaron Novak, Annie Montgomery, and Bettina Goolsby ) made these haunting portraits to mark the beginning of the play’s global tour. They are inspired by Alexander Gardner’s mugshots of John Wilkes Booth’s co-conspirators. Gardner’s haunting photos were taken in the days leading up to the July 7th, 1865 execution of Lewis Powell, Mary Surratt, David Herold, and George Atzerodt.

Today I learned that our photos were honored by the Prix de la Photographie Paris. We are deeply thankful for the consideration, humbled to be included in this extraordinary chorus of artists. 

In this modern age of technological and scientific advances, it is art, creativity, and especially photography and its ability to focus our attention on the issues and events transpiring around us that is helping to keep us anchored to our humanity, to our compassion, even to our sense of humor.” 

- Hossein Farmani, Founder and President of PX3.

To learn more about “The Lincoln Dress” CLICK HERE.

and to see more of the outstanding work honored by the PX3 this year, CLICK HERE.

Something wicked this way comes | Mar19

Double, double toil and trouble,

Fire burn, and cauldron bubble.

By the pricking of my thumbs,

Something wicked this way comes..

William Shakespeare

Under the direction of the legendary John McEneny, the MS51 8th Grade Drama Department will stage MACBETH this week. There are 4 unique casts. Please come support these magnificent actors and their sublime program.

Thursday, March 21st, 7PM | Dakota as Macbeth

Friday, March 22nd, 7PM | Ollie as Macbeth

Saturday, March 23rd, 11AM | Charlotte as Macbeth

Saturday, March 23rd, 2PM | Jude as Macbeth

MS51 Auditorium

350 5th Avenue. Park Slope, Brooklyn

Tonal, LA County | Feb19

Just after the rains, with the reservoirs nearly full, a green Avalon. Sunrise in DTLA. Reflections, invitations. LA County, February 2019.

GIVE LIFT | DEC 18

Maybe it’s what I’ve been reading lately? Maybe it’s what I’ve been listening to? Maybe it’s what I’ve been looking at? Somehow, it feels like possibility, like lift.

Another year done. Here’s hoping we soar in 19.

Season of Change | Nov 18

This November, I find myself awash in change. It’s in the air, in the light, profoundly echoed in those who’s lives touch mine. This is my niece, and these are images from a park not far from her house. My niece was the first of her generation to really impact my life. She helped me find the uncle in me. And now she’s on her way to college, on her way. These are the never dry fields of Bear Creek Pioneers Park, for 40 years the home of the Harris County Fair. 2016 was it’s last. Hurricane Harvey made sure of that.

They are together here because they share a place and as images they offer my humble expression of hope, transformation, and a certain communion of understanding.